Urban Quilting

I like to think about historic urban neighborhoods as a vibrant patchwork of different colors, patterns and textures stitched together by a grid of streets. As I’m writing this on a chilly October night I think about what makes those quilts so familiar, warm and cozy. And what makes them smell like home to so many of us.

It’s a variety of different types of fabric interacting together. From very fine florals of single family homes, through larger patches of multifamily pockets, neighborhood commercial centers and green parks, to much more prominent, landmark forms of hospitals, schools and churches.

It’s an organic character of the complex organism that grew over time. The different styles of material used. From Victorian lace, to utilitarian (Denver) squares of denim, to orthogonal grids of modern flannel. Every style has its place in the history of this quilt.

So how do we preserve this piece of fiber art? Not by hanging it in a museum behind a glass. Not by “do not touch” policy. The urban fabric has to be patched and repaired constantly like a tattered baby blanket. The best way to preserve historic neighborhoods is to allow them to continue to change and evolve. Those living, breathing organisms have to be allowed to adapt to current market conditions otherwise they will perish and die. Worn out pieces need to be replaced by new patches of developments that better suite our changing lifestyles. Contemporary forms should be introduced to represent their time. New building technologies will contribute to more sustainable construction. Responsible urban quilting is not achieved by freezing time but by continuous maintenance. Without the maintenance colors will fade and the fabric will deteriorate.