Thursday, November 19, 2009

Speaking about urban density (11.19.09 Listening Session)

My name is Gosia Kung and I’m a resident of the historic district of Witter Cofield in NW Denver. I am also an architect and LEED accredited professional. I came here today to talk to you about density of urban neighborhoods. I am deeply concerned with the downzoning of 70% of areas currently zoned R2 to Single Unit only designation. It is my opinion that all the areas currently zoned R2 should allow Two Unit developments.

There are three basic types of Two Unit developments: the main house with accessory dwelling unit, top-and-bottom duplex and side-by-side duplex. All three forms are historically present in our neighborhoods and hold tremendous potential in terms of affordable and environmentally responsible housing. Even the side by side duplex covered with stigma of recent year’s developments is far more sustainable option than an oversized single family house, by allowing two families to live in a structure that would otherwise be occupied by only one.

The Two Unit zones will encourage density that is crucial to stimulating a healthy growth of urban neighborhoods. The benefits we will see are:
  • More residents moving closer to downtown and thus reducing commute, pollution and traffic.
  • Utilizing existing infrastructure, utilities, roads and public services for new housing and less need for development of virgin land.
  • Improved performance of local schools.
  • Less sprawl and increased quality of life.

In case you were wondering about my accent I was born and grew up in Krakow, Poland. Because of density of historic town and public transportation I never had to learn how to drive. When I was 25 I came to America, got my drivers license and gained 20 pounds. Higher density supports healthy lifestyle by creating walk-able communities. By allowing higher density in urban neighborhoods we may, at least partially, solve our health carecrisis…

I hear so many arguments for solar access and ability to install photovoltaic panels on roofs. There is more to sustainability than tax incentives and reduced utility bills. The responsible growth of urban fabric is essential in creating sustainable lifestyle. Walking, biking, public transportation, public safety, good schools and vibrant communities all depend on the right mixture of uses and appropriate density. Single family suburban lifestyle has proven to fail.

I am a mother of two. My kids are 4 and 1. I’m here today speaking on their behalf, and asking you, to please not base your decisions about zoning and mapping on shortsighted agendas of the few. Please consider the welfare of future generations. Let’s make sure that we are shaping the city that they will be proud of long after we are gone. Thank you.

Sunday, November 15, 2009

Work in progress…


“Architecture is an Art of shaping the Environment”

This is the first thing I learnt in the architecture school. The definition of Architecture. I can’t remember the class or the name of the professor. It was nearly twenty years ago in a different country and in a different language. Since then I have heard and read many definitions and descriptions of architecture but none seems to speak to me the same way. Whenever I think about design I keep coming back to my first collage lecture and those words that I just can’t get out of my head. But yet I often find myself troubled when I try to explain this statement to my friends or clients. What does it mean? Let me draw a picture instead.

Imagine a landscape like this:


 Empty non-defined space. Imagine 50 people placed in this location. They will wander around uncomfortably.

Imagine element in this landscape:



The element has defined the space. Now, the same 50 people will gather around the obelisk. They will start talking and maybe come up with idea to start something new and important.

Now imagine the same element repeated a number of times:


 The sequence of elements creates a sense of direction. People will travel along the rhythm of power poles curious about the destination.

So let’s keep adding:


 We are almost there. The power poles and the trees framed the space creating the “walls”. The sky and the tree canopies formed a “ceiling”. All we are missing is the floor:


The few simple elements defined the space. Now people will feel comfortable strolling along the path or resting in the shade under a tree.

As we add elements to our environment we customize it for our needs. We create indoor and outdoor spaces by defining the landscape. Every day we travel through spaces without even taking notice. Long narrow hallways of office buildings, open outdoor plazas, hiking trails and highways, our driveway and our kitchen. Our perception of space is shaped by the elements that define it (floor, walls, ceiling, free standing elements) as well as scale, function and placement in the sequence (or a floor plan). The quality of space will affect how we feel. We can be comfortable, relaxed, inspired, energized or confused, frustrated, bored or saddened. What a responsibility an architect has every time she picks up a pencil.

As I’m writing this post I feel that anything I say seems inadequate, too complicated or unclear. How do I describe the job of shaping human experience? Using words. Simple words. And short sentences. How do I make it clear and concise? I’m humbled and hunted about this statement I learnt as a first year architecture student and that I’m yet to figure out how to communicate. It’s work in progress.

Tuesday, November 3, 2009

The D-word

If you live in one of Denver historic neighborhoods you know what I’m talking about. A word so scary I dare not say it out loud. The duplex. The D-people (developers) scraping old bungalows and erecting those god-awful structures. The 5,000 plus square feet McMansions that don’t belong in the quaint setting of old Victorians. Built from one setback line to the other, maximizing the lot. The two-story (or sometimes three-story) boxy structures that shade adjacent gardens. Those walk-in-closet worshipers that bring their neighbors to tears when they look at their property tax statement!

But there are many faces of two-family developments. It is important to understand and recognize the opportunities that they carry. Here are three basic categories:

The Main House and a Carriage House (or ADU – Accessory Dwelling Unit). In this arrangement there are two separate structures on one lot. The Carriage House is a secondary dwelling unit accessed from the alley; often build on top of a two or three-bay garage. The space can serve as home office, studio, guest house or a rental unit. There are tremendous opportunities associated with the ADUs. Imagine being able to invite your aging parents to live with you (close but not too close). Imagine working at home and never having to commute again. Imagine having rental income and being able to afford buying your own home.

Top-and-bottom two-family dwelling – We all know them – a basement apartment used as a rental unit. Sometimes the two units have separate ownership and function as a mini-condo. This type of development has great potential in terms of affordable housing and can provide all the same benefits as mentioned above.

And finally a side-by-side duplex – While covered with stigma of the recent year’s developments the duplex is very common building type in historic neighborhoods. There are examples of very modest single story structures as well as larger multi story buildings. Historically the owner of the house lived in one half and benefited from the rental income from the other half. Nowadays the ownership is typically split along the party wall between the units.



Denver is going through a process of developing the new Zoning Code. The old designations of R1 (Single Family) and R2 (Single Family, Duplexes and Townhouses) are being replaced with new symbols SU (Single Unit) and TU (Two Unit). SU zones will only allow construction of single family houses while TU will allow the three scenarios described above in addition to single family homes. Current drafts of the code propose replacing 70% of residential areas currently zoned R2 with a SU designation. This means that only single family houses will be permitted to be built in the areas that currently allow multiunit developments. The new limitation is supposed to preserve the neighborhoods. However it is important to remember that the D-people can build a single family house that is 5,000 plus square feet, from one setback line to the other, maximizing the lot, shading adjacent gardens and bringing their neighbors to tears when they look at their property tax statement.

The proposed form based code is promised to be context sensitive. Hopefully this new approach to Zoning Codes will result in more respectful developments, regardless from the number of units they house. At the same time it is important to recognize the potential of Two Unit zones. The options that TU allows will benefit our neighborhoods in terms of sustainability, affordable housing and historic preservation. One would hope that in order to maintain the healthy growth of our City all existing R2 zones should be named TU under the new code.

Saturday, October 24, 2009

Urban Quilting

I like to think about historic urban neighborhoods as a vibrant patchwork of different colors, patterns and textures stitched together by a grid of streets. As I’m writing this on a chilly October night I think about what makes those quilts so familiar, warm and cozy. And what makes them smell like home to so many of us.

It’s a variety of different types of fabric interacting together. From very fine florals of single family homes, through larger patches of multifamily pockets, neighborhood commercial centers and green parks, to much more prominent, landmark forms of hospitals, schools and churches.

It’s an organic character of the complex organism that grew over time. The different styles of material used. From Victorian lace, to utilitarian (Denver) squares of denim, to orthogonal grids of modern flannel. Every style has its place in the history of this quilt.

So how do we preserve this piece of fiber art? Not by hanging it in a museum behind a glass. Not by “do not touch” policy. The urban fabric has to be patched and repaired constantly like a tattered baby blanket. The best way to preserve historic neighborhoods is to allow them to continue to change and evolve. Those living, breathing organisms have to be allowed to adapt to current market conditions otherwise they will perish and die. Worn out pieces need to be replaced by new patches of developments that better suite our changing lifestyles. Contemporary forms should be introduced to represent their time. New building technologies will contribute to more sustainable construction. Responsible urban quilting is not achieved by freezing time but by continuous maintenance. Without the maintenance colors will fade and the fabric will deteriorate.

Friday, October 16, 2009

The Art in ARchiTecture and why Style doesn’t matter



In the old days of BC (Before Children) I used to do a lot of oil painting (yes, this one is mine). For several years I took classes from Kevin Weckbach on visual approaches in painting. Kevin is a truly inspirational teacher and a well recognized painter. His works are full of bold expression and spontaneity. But when Kevin teaches it’s all about the structure in painting. The “bones” or the “foundation” behind the artwork.

There are three simple questions that an artist has to answer: WHAT IF - Because the shapes have to be non-generic and unique. WHY- Because the painting has to have a strong and well executed concept (a visual approach). The concept cannot be arbitrary and has to be consequently carried through. And than there is HOW - the technical ability of an artist.

Those questions are the foundation of a good painting. Notice I never mentioned STYLE? Rembrandt and Pollock were both outstanding painters whose work can be described using the above criteria. Their paintings have strong structure and originality. Their skills are superb. Yet their style is completely different.

The same is true with architecture. Whether historical or contemporary, Victorian or modern no style is superior to the other. What defines good architecture is not the style but the solid foundation of well thought out concept and consistent execution. The style is a question of personal preference. Some wear tie-dye tee-shirts other prefer black turtlenecks. There is no right or wrong.

I often struggle when people ask me what kind of architecture I do: Residential or commercial? Traditional or contemporary? We need to categorize things to help us understand the world around us. The question I ask myself is: Buildings or Architecture?

Monday, October 12, 2009

The difference between buildings and architecture

Talk to any business coach and she will tell you to systematize your practice. Develop procedures and checklists for others to follow so you can go on vacation and your business can function without you. But how to you capture creative process? It’s like putting a snow suit on a 12 month old baby. They twist and wiggle and after many tries it is still backwards. Impossible!

Or is it? How about a simple four-step check list that when applied will result in a good design every time. Guaranteed. Let’s try.

WHAT IF is the fundamental question. WHAT IF challenges the obvious and generic.
WHY fights the arbitrary. WHY is responsible for a strong and well executed concept.
HOW MUCH asks “is this the best solution that the budget can buy?”
HOW is about technical expertise. HOW is what makes a building a building.

So how do you measure a difference between architecture and a building? Ignore the first three points of the check list and you will end up with a building. It will stand up and house the functions it was intended for. Depending on level of technical skill of the designer, quality of execution by the contractor and the budget it can be a very successful building. Nothing wrong with that.

But WHAT IF we try just a little bit harder? WHY? – because it’s worth it. HOW MUCH is this going to cost? – No more than a building. HOW? – One project at the time.